{"id":8388,"date":"2020-04-03T12:08:28","date_gmt":"2020-04-03T09:08:28","guid":{"rendered":"https:\/\/arims.org.il\/?page_id=8388"},"modified":"2021-03-02T20:34:29","modified_gmt":"2021-03-02T18:34:29","slug":"video-clips-competitors-2020","status":"publish","type":"page","link":"https:\/\/arims.org.il\/he\/competition2020\/video-clips-competitors-2020\/","title":{"rendered":"Video Clips – Competitors 2020"},"content":{"rendered":"\t\t
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\u05d4\u05db\u05d9\u05e8\u05d5 \u05d0\u05ea \u05d4\u05de\u05ea\u05d7\u05e8\u05d9\u05dd!<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u05d1\u05d9\u05d5\u05dd \u05e8\u05d1\u05d9\u05e2\u05d9, \u05d4- 6 \u05d1\u05de\u05d0\u05d9 2020, \u05d0\u05de\u05d5\u05e8 \u05d4\u05d9\u05d4 \u05dc\u05d4\u05d9\u05e9\u05de\u05e2 \u05d4\u05e6\u05dc\u05d9\u05dc \u05d4\u05e8\u05d0\u05e9\u05d5\u05df \u05d1\u05ea\u05d7\u05e8\u05d5\u05ea \u05d4- 16 \u05dc\u05e4\u05e1\u05e0\u05ea\u05e8 \u05e2"\u05e9 \u05d0\u05e8\u05ea\u05d5\u05e8 \u05e8\u05d5\u05d1\u05d9\u05e0\u05e9\u05d8\u05d9\u05d9\u05df<\/span>.<\/p>

\u05d1\u05e2\u05d5\u05d3 \u05d4\u05de\u05ea\u05d7\u05e8\u05d9\u05dd, \u05d4\u05e9\u05d5\u05e4\u05d8\u05d9\u05dd \u05d5\u05e7\u05d4\u05dc \u05d4\u05ea\u05d7\u05e8\u05d5\u05ea \u05e1\u05e4\u05d5\u05e0\u05d9\u05dd \u05d1\u05d1\u05d9\u05ea\u05d9\u05d4\u05dd \u05d1\u05e8\u05d7\u05d1\u05d9 \u05d4\u05e2\u05d5\u05dc\u05dd, \u05d1\u05d9\u05e7\u05e9\u05e0\u05d5 \u05de\u05d4\u05de\u05ea\u05d7\u05e8\u05d9\u05dd \u05dc\u05e9\u05ea\u05e3 \u05d0\u05d5\u05ea\u05e0\u05d5 \u05d1\u05e7\u05d8\u05e2\u05d9 \u05e0\u05d2\u05d9\u05e0\u05d4 \u05e9\u05dc\u05d4\u05dd.<\/p>

\u05e8\u05d1\u05d9\u05dd \u05de\u05d4\u05de\u05ea\u05d7\u05e8\u05d9\u05dd \u05e0\u05e2\u05e0\u05d5 \u05dc\u05d1\u05e7\u05e9\u05ea\u05e0\u05d5 \u05d5\u05e9\u05dc\u05d7\u05d5 \u05dc\u05d9\u05e0\u05e7\u05d9\u05dd \u05de\u05e0\u05d2\u05d9\u05e0\u05ea\u05dd \u05d1\u05ea\u05d7\u05e8\u05d5\u05d9\u05d5\u05ea, \u05e7\u05d5\u05e0\u05e6\u05e8\u05d8\u05d9\u05dd \u05d0\u05d5 \u05de\u05d0\u05d5\u05dc\u05e4\u05df \u05d4\u05e7\u05dc\u05d8\u05d5\u05ea.<\/p>

\u05d0\u05ea\u05dd \u05de\u05d5\u05d6\u05de\u05e0\u05d9\u05dd \u05dc\u05e6\u05e4\u05d5\u05ea, \u05dc\u05d4\u05d0\u05d6\u05d9\u05df, \u05dc\u05d4\u05e0\u05d5\u05ea \u05d5\u05dc\u05e9\u05ea\u05e3 \u05e2\u05dd \u05d7\u05d1\u05e8\u05d9\u05db\u05dd.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BELYAVSKY Sergey (Russia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Schumann:<\/strong> Carnaval, Op. 9
Recorded at Filarmonia Pomorska Hall, Bydgoszcz, Poland, November 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ginzburg:<\/strong> A paraphrase on Figaro's Aria from the opera "Barber of Seville" by Rossini (short version)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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BEREZOVSKY Evelyne (UK)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Scriabin:<\/strong> Sonata No. 4 in F-sharp Major, Op. 30
Audio<\/span> live recording, November 2019,\u00a0 St Mark\u2019s church \u2013 London, live concert<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Scriabin<\/strong>: Fantasy in B Minor, Op. 28
Live recording from the 1st<\/sup> round of the Leeds International Piano Competition (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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BERTOLAZZI Giovanni (Italy)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Brahms<\/strong>: Intermezzo Op. 118, No. 2 in A Major
Recorded at Castello di Castano, Piacenza (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Debussy<\/strong>: Brouillards, from Pr\u00e8ludes Livre II
Live recording from the 1st<\/sup> stage of \u201cFerruccio Busoni" International Piano Competition, Italy (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Debussy<\/strong>: Ondine, from Pr\u00e8ludes Livre II
Live recording from the 1st<\/sup> stage of \u201cFerruccio Busoni" International Piano Competition, Italy (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Liszt<\/strong>: Apr\u00e8s une lecture du Dante, Fantasia quasi Sonata
Recorded at Castello di Castano, Piacenza, Italy (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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BOROVITZKI Daniel (Israel)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Chopin<\/strong>: 24 Preludes, Op. 28\u00a0<\/p>

Basel Academy of Music (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CECINO Elia (Italy)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Shostakovich<\/strong>:\u00a0Prelude\u00a0&\u00a0Fugue\u00a0for Piano,\u00a0Op.\u00a087, No.\u00a021\u00a0in B-flat Major
Live recording from XXXI Ettore Pozzoli International Piano Competition, Italy (2019), 3rd Stage<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Debussy<\/strong>: \u00c9tude pour les degr\u00e9s chromatiques
Live recording from XXXI Ettore Pozzoli International Piano Competition, Italy (2019), 1st Stage\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chopin<\/strong>: Polonaise Op. 44
Live recording from XXXI Ettore Pozzoli International Piano Competition, Italy (2019), 1st Stage<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Scriabin<\/strong>: Sonata No. 3, Op. 23
Recital at the Teatro Luigi Bon, Colugna, Italy (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CHEN Han (Taiwan)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jan\u00e1\u010dek<\/strong>: Sonata 1 X 1905, "From the Street\u201c
Live recording from the 2nd<\/sup> stage of the 15th<\/sup> Arthur Rubinstein Piano Master Competition (2017)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rachmaninoff<\/strong> \u2013 2 Etudes tableaux Op. 33
– Grave – Meno mosso in C Minor
– Moderato in G Minor
Live recording from the 1st<\/sup> stage of the 15th<\/sup> Arthur Rubinstein Piano Master Competition (2017)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Liszt<\/strong>: R\u00e9miniscences of Don Juan, S. 418
Live recording from the\u00a01st<\/sup> stage of the 15th<\/sup> Arthur Rubinstein Piano Master Competition (2017)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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1<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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3<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CHONI Dmytro (Ukraine)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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Prokofiev: <\/strong>Concerto No. 3 in C Major, Op. 26<\/p>

Conductor: Miguel \u00c1ngel G\u00f3mez Mart\u00ednez<\/strong>
Orchestra: RTVE Symphony Orchestra<\/strong><\/p>

Live recording from Paloma O'Shea Santander International Piano Competition, Spain (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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FANG-BENTOV Motti (Israel)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tchaikovsky:<\/strong> Piano Concerto No. 1 in B-flat Minor, Op. 23<\/p>

Conductor: Zubin Mehta<\/strong> <\/p>

Orchestra: The Buchmann-Mehta School of Music Symphony Orchestra<\/strong><\/p>

Live recording from the Bronfman Auditorium, Tel-Aviv (2017)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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GIGASHVILI Giorgi (Georgia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bach-Busoni<\/strong>: Chorale Prelude in G Minor<\/p>

Rachmaninov<\/strong>: Etude-Tableaux, No. 5 in E-flat Minor, Op. 39<\/p>

Prokofiev<\/strong>: Sonata No. 7 in B-flat Major, Op. 83<\/p>

Live recording from the 3rd<\/sup> International Piano Competition "City of Vigo", Spain (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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HAN Anna (USA)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Schumann: <\/strong>Sonata No. 1 in F-sharp Minor, Op. 11 (1st<\/sup> Movement)\u00a0
Recorded at the Hilton Head International Piano Competition, South Carolina (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prokofiev<\/strong> Sonata No. 6 in A Major, Op. 82
Recorded at the 1st<\/sup> stage of the Hilton Head International Piano Competition, South Carolina (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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1<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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HSU Yun Chih (Taiwan)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Chopin:<\/strong> Sonata No 3 in B Minor, Op. 58
Live recording from a recital at National Concerto Hall in Taipei (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mendelssohn:<\/strong> Fantasy in F-sharp Minor, Op. 28
Live recording from a recital at National Concerto Hall in Taipei (2017)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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IVANOVA Dina (Russia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tchaikovsky<\/strong>: Mazurka, Op. 40, No. 5 in D Major
Recorded: Hamburg (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tchaikovsky: <\/strong>Valse Op. 40, No. 8\u00a0 in A-flat Major
Recorded: Hamburg (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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C\u00e9sar Franck<\/strong>: Sonata\u00a0in A Major for\u00a0Violin\u00a0and Piano (1st movement)
Violin: Merel Vercammen<\/strong>
From the TV show- Podium Witteman, Netherlands (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Liszt<\/strong>: Piano Concerto No. 1 in E-flat Major, S. 124
Live recording from the Final stage of the Liszt Competition in Utrecht (2017), TivoliVredenburg<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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4<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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KAMPLET Nejc (Slovenia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Liszt<\/strong>: Mephisto Waltz No. 1, S. 514
Recorded at \u201cEttlingen Palace\u201d Ettlingen, Germany (2016)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chopin<\/strong> Sonata No. 3 op. 58 in B minor
Recorded at \u201cEttlingen Palace\u201d Ettlingen, Germany (August 2016)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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KHRIKULI David (Georgia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Liszt<\/strong>: Transcendental Etude No. 12 in B-flat Minor, 'Chasse-Neige'<\/p>

Beethoven<\/strong>: Piano Sonata No. 17, Op.31, No. 2 in D Minor, "The Tempest"<\/p>

Live recording from the 1st<\/sup> stage of Cleveland International Piano Competition, USA (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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KINASOV Maxim (Russia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Liszt<\/strong>: Piano Concerto No. 1 in E-flat Major, S.124
2nd Round of the 2019 Hastings International Piano Concerto Competition, UK<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Brahms<\/strong>: Variations on a Theme by Paganini, Op. 35 (Book 1)
Live recording from the RNCM Gold Medal Competition Final (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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KLIUCHKO Aleksandr (Russia)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mussorgsky<\/strong>: Pictures at an Exhibition<\/p>

Live recording from the 2017 Winners Concert of Astana Piano Passion International Festival of Classical Music and Competition for Young Pianists, at Astana Opera Chamber hall, Kazakhstan (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LANYI Ariel (Israel)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Schumann<\/strong>: Piano Sonata No. 1 in F-sharp Minor, Op. 11<\/p>

Live recording from a Recital at St. John\u2019s Smith Square, London (2019)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LI Bowen (China)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rachmaninov<\/strong>: Piano Concerto No. 2 in C Minor, Op. 18<\/p>

Conductor:\u00a0Renchang Fu<\/strong><\/p>

Orchestra:\u00a0Xiamen Philharmonic Orchestra<\/strong><\/p>

Recorded at the final stage of the 22nd<\/sup> Scriabin International Piano Competition, Gulangyu, Xiamen (1st<\/sup> prize winner)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LOPATINSKY Roman (Ukraine)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rachmaninov<\/strong>: Piano Concerto No.3, Op.30<\/p>

Conductor: Ken Takaseki<\/strong><\/p>

Orchestra: Tokyo Symphony Orchestra<\/strong><\/p>

Live recording from the Final round of the Hamamatsu International Piano Competition, Japan (2019),
ACT CITY Hamamatsu Main hall<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MELEMED Mackenzie (USA)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rachmaninov<\/strong>: Rhapsody on a Theme of Paganini, Op. 43<\/p>

Conductor: Yannick Nezet-Seguin<\/strong><\/p>

Orchestra: The Philadelphia Orchestra<\/strong><\/p>

Live recording from the grand finals of the 1st<\/sup> China International Music Competition (2019), The National Centre for Performing Arts Beijing<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MOUZA Alexia (Greece\/Venezuela)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Haydn<\/strong>: Piano Sonata No. 62 in E-flat Major, Hob. XVI\/52
Recorded at Palazzo Monsignani, Italy (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chopin<\/strong>: Etude Op.10, No. 4 in C-sharp Minor
Live recording from the 1st<\/sup> stage of the Chopin International Piano Competition, Poland (2015)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chopin:<\/strong> Etude Op. 25, No. 7 in C-sharp Minor
Live Recording from the 1st<\/sup> stage of the Chopin International Piano Competition, Poland (2015)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prokofiev<\/strong>: Piano Sonata No. 3 in A Minor, Op. 28
Live Recording from the 1st<\/sup> stage of the Hamamatsu International Piano Competition, Japan (2015)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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PARK Chaeyoung (S. Korea)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ligeti:<\/strong> Musica Ricercata, No. 3, 4, 6, 10
Recorded at the Hilton Head International Piano Competition, 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Debussy:<\/strong> Etude No. 8, pour les agrements
Recorded at the Hilton Head International Piano Competition, 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rachmaninov<\/strong>: Sonata No. 2 in B-flat Minor, Op. 36 (1931)
Recorded at the Hilton Head International Piano Competition, 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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3<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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PEREZ FLORISTAN Juan (Spain)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Brahms<\/strong>: Piano Quartet, No. 1 in G Minor, Op. 25<\/p>

Jonian Ilias Kadesha<\/strong>, violin, Karolina Errera<\/strong>, viola, Andrei Ionita<\/strong>, cello<\/p>

Live recording from the Alpenarte Festival in Austria (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SUH Hans (S. Korea)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mozart<\/strong>: Piano Concerto No. 20 in D Minor, K. 466<\/p>

Conductor: Paul Meyer<\/strong><\/p>

Orchestra: Orchestre Royal de Chambre de Wallonie<\/strong><\/p>

Live recording from the semifinal round of the 2016 Queen Elisabeth International Music Competition<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SWIGUT Aleksandra (Poland)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Chopin: <\/strong>Piano Concerto\u00a0No.\u00a02\u00a0in\u00a0F Minor,\u00a0Op. 21<\/p>

Conductor: Grzegorz Nowak<\/strong><\/p>

Orchestra: Orchestra of the XVIII Century<\/strong><\/p>

Live recording from the final stage of the International Chopin Piano Competition on Period Instruments (2018)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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WONG KaJeng (China)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bach<\/strong>: Partita No. 4 in D Major, BWV 828<\/p>

Recorded at Alaska International Piano E-Competition (2018), Fairbanks, USA<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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YANG Yuanfan (UK)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Yuanfan Yang<\/strong>: Piano Concerto No. 1 'The Wilderness', based on the drama\u00a0'The Wilderness' by Cao Yu
(Composed in 2014 at the age of 17)<\/p>

Conductor: Zhou Jun
<\/strong><\/p>

Orchestra: China National Orchestra of Theatre and Dance<\/strong><\/p>

The concerto is followed by an improvised encore, in Rock n\u2019 Roll style
Live recording from the Beijing Forbidden City Concert Hall (2019).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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YIN Cunmo (China)<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Beethoven<\/strong>: Piano Concerto No. 3 in C Minor, Op. 37<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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